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Talish, Sudhir and Meena Shorey in action-packed hit film Aakhri Nishan (1958). As a heroine, it was Meena's last hit Urdu film - Ummer Siddique
Sabiha and Santosh in Mukhra (1958), a romantic-musical film - Ummer Siddique
Noor Jehan in Neend (1959), a touching tale of a woman worker (Noor Jehan) at the coke storage in a conglomeration of small foundries in Lahore - Mushtaq Gazdar
Allaudin and A. Shah Shikarpuri in Salma (1960). Salma is mostly remembered for its hauntingly beautiful songs sung by Noor Jehan and Naseem Begum - Ummer Siddique
Rehan and Nasira in Ajab Khan (1961). Sudhir played the key role of a patriot who fights against the colonial British masters and their lackeys. It was dubbed in Swahili and exported to East Africa where it was reported to have attracted large crowds - Ummer Siddique
Sabiha and Santosh in Mousiqaar (1962), produced by legendary music director Rashid Attre, Mousiqaar became one of the greatest musical hits in Pakistani film history. Noor Jehan sang some of the best songs of her career in this film - Ummer Siddique
Darpan and Nayyar Sultana in Baaji (1963), one of the finest films directed by S. Suleman. Farzana (Nayyar Sultana) loves her childhood friend Nasir (Darpan), but couldn't express her romantic feelings because Nasir is few months younger than her and affectionately calls her Baaji (elder sister) - Ummer Siddique
Pakistan's first oomph girl Neelo with Santosh Kumar in Daaman (1963). Film is mainly remembered for Noor Jehan's solo Na chura sako gay daaman picturized on Sabiha Khanum - Ummer Siddique
Santosh, Darpan and Shamim Ara in Naila (1965), the first successful color film of Pakistan based on a popular novel by Razia Butt - Ummer Siddique
Deeba (in double role) and Mohammad Ali in Aaina (1966), directed by Shabab Kiranvi - Ummer Siddique